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Soderbergh's camera, like Graham's, is more concerned with talk than sex, and he allows dialogue to carry the film's erotic charge.
John (Peter Gallagher) is meant to be a precise type.Her affair with John is built on rivalry and the thrill of deception as much as sexual heat.''The beautiful, the perfect Ann Bishop Millaney,'' Cynthia sneers about her sister, her voice dripping with contempt and ugly victory.By the end of this opening sequence, when Graham takes his duffle bag and video camera from his trunk and walks through the Millaneys' door, the writer and director Steven Soderbergh has mapped out the bright wit, sinister undertone and smooth, layered style that run through ''Sex, Lies and Videotape.'' Mr.
Soderbergh's astonishing first film is a ''Liaisons Dangereuses'' for the video age, a rich, absorbing tale of sexual greed and fear, love and betrayal, in which Graham's camera becomes a central player.His perspective resembles Graham's only in its style - that of a camera cutting fluidly from one pair to another, a haunting eye whose precision is funny and chilling.